B.C. will be well known to younger viewers of ITV regional station Anglia in the 1980s. The puppet was introduced early in the decade to "help" the on-screen continuity person read out young viewers' birthday cards in the popular daily "Birthday Club" sessions, and inspired by the long-running ITV regional puppet character Gus Honeybun - a rabbit.
Legend has it that Helen McDermott worked with Gus at Westward. She moved to Anglia around 1980 and, once she'd settled in, suggested that an Anglia version of Mr Honeybun would be good for that channel's birthday club slots. B.C. made his debut circa 1981.
B.C. - allowed to stay up to welcome in the New Year of 1985.
B.C. looked rather like a leopard, although many thought his ears were more bear-like! At his launch, there was a competition to name the character. The winning entrant came up with "B.C." (for "Big Cat" and also "Birthday Club") and the little git proceeded to wreak absolute havoc in the years that followed.
The Anglia TV presenters were very much part of our lives, almost like family. "Ooh, Michael's still got that cold," we'd say, or, "What's Patrick cooking tonight?" B.C. was a personality in his own right (as far as I was concerned), a somewhat anarchic addition to the team. But what made him tick? What (or who) was his motivating force?
David Clayton was a presenter at Anglia throughout 1982, and recalls:
"The continuity studio was by necessity small and had the usual collection of discarded announcer presents and letters, the odd pile of face powder compacts, hairbrushes and B.C., the birthday club puppet. My debut as an announcer was with my hand up B.C. operating it for the on-duty day announcer. If you did an evening shift you came in to relieve the day announcer so he or she could get some lunch and a break. You also became the unofficial puppeteer around tea-time for the children's birthday club.
"I think I was B.C. first to Katie Glass and had to crouch down at her side out of shot and try and make B.C. animated and cheeky. Michael Speake used to be quite ruthless with the puppet but Katie was the most frightening to work with. One of B.C.'s features was that one of your hands held a stick coming out of the base of him, the other hand was inside one of his paws. If you were announcing with Katie doing the puppet she had the habit of making B.C. grab your tie just at the last second and yanking downwards with some degree of violence.
"This then made your tie knot extremely small and tight to the point it was virtually impossible to undo it. So for the entire programme you had just linked to, you were struggling to actually undo and re-tie your tie. Short of cutting it off with scissors it was touch and go whether you could make yourself presentable for the next link. Sadly there wasn't an equivalent female garment with which to exact your revenge when roles were reversed."
If anybody has any Birthday Club footage, I would love to see it. It's time to start a B.C. archive! You can E-mail me at: firstname.lastname@example.org
I must confess, I was about sixteen when B.C. made his debut and his target audience was tiny tots and primary school children. But I thought he was great.
"You were, and are, naturally childish," says my loving wife.
Not at all. B.C. was... er... well... he was... um... cult... yes, that's it, he was cult!!
That makes him respectable.
Courtesy of YouTube - inspired 1980s lunacy with BC and his companions.